The interiors of the Bauhaus represent the ambitions of painters to redefine color in architecture. Through the work of Kandinsky, Itten, Moholy-Nagy, and several others within the school, color became a methodical approach to spatial program. While visiting the school, it made sense to photograph these buildings in an attempt to return them the second dimension. These prints represent the flattening of 3D space to show the strictly visual effect color can have on the eye.
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